It is a wonderful piece of devised and improvised theatre, heart warming and sad, technically simple but brilliant, with a skilled and talented cast.” (Three Weeks Editors Award)

‘a lecture in weird humour, delivered by an expert... a natural clown’ A Younger Theatre

O No! 
A psychedelic ride, and a wonky homage to the woman damned for destroying the Beatles, O No! borrows Yoko Ono’s art instructions to ask whether falling in love is always catastrophic. 
A sell-out success and one of the most talked about shows of the Edinburgh Fringe Festival 2015. 
Funny and surprising in equal measure this show from a multi-award winning theatre maker, is about reckless optimism, avant-garde art and what we might yet have to learn from the hippies. 
Supported by Arts Council England, Ovalhouse, CPT, National Theatre Studio and Physical Fest Liverpool 
“Fractious, hilarious and punctuated by undeniable beauty, Jamie Wood’s tribute to Yoko Ono is a thing of mischief and magic" 
***** The Stage 
“By the end, Wood has got the entire audience making music and probably doubled the amount of happiness floating around Edinburgh.” 
**** The Guardian 
"This isn't wacky for wacky's sake. It's oppositional and fierce and idealistic." 
**** WhatsOnStage

"a theatre that stirs the heart and nourishes the soul"

“There is no escape from this glorious bloody mess" The Guardian

a silent, intimate tale touched with poetry and magic

'The trio of performers give their all to the audience while ruthlessly refusing to compromise on the humour - a simple and winning formula, yet one that so few shows choose to respect. Definitely triple gold'  

Nick Awde - The Stage her sleepless nights she sees one other light on in the village...

" beautifully made ...Such a jewel..Thank you so much.” (The Brewhouse)



As a devisor/performer I’ve been lucky enough to be a part of other artist’s processes. I’ve always found this an invaluable experience that has fed directly back into my own work, both in terms of specific techniques and in terms of expanding and challenging my sense of what theatre can be.