"Fractious, hilarious and punctuated by undeniable beauty, Jamie Wood’s tribute to Yoko Ono is a thing of mischief and magic" ★★★★★ - The Stage

O No!

A psychedelic ride, and a wonky homage to the woman damned for destroying the Beatles, O No! borrows Yoko Ono’s art instructions to ask whether falling in love is always catastrophic.

Funny and surprising in equal measure this show from a multi-award winning theatre maker, is about reckless optimism, avant-garde art and what we might yet have to learn from the hippies.

A sell-out success and one of the most talked about shows of the Edinburgh Fringe Festival 2015.

Shortlisted for a Total Theatre Award for Experimentation and Innovation.
Selected as one of The Guardian's Top Theatre Picks at Edfringe 2015
Selected as one of The Guardian's Critic Choice
Selected as Exeunt Magazine's Pick of the Programme

CREATIVE TEAM

Created by Jamie Wood, Wendy Hubbard and George Ramsay.

Reviews

“Like being sucked down a rabbit hole of joy... Jamie Wood is a performer to fall in love with.” ★★★★ Exeunt

"This isn't wacky for wacky's sake. It's oppositional and fierce and idealistic." ★★★★ WhatsOnStage

"Fractious, hilarious and punctuated by undeniable beauty, Jamie Wood’s tribute to Yoko Ono is a thing of mischief and magic" ★★★★★ - The Stage

“By the end, Wood has got the entire audience making music and probably doubled the amount of happiness floating around Edinburgh.” ★★★★ The Guardian

“There's no one at the Fringe like Jamie Wood – probably no one on the planet. Experiencing his surreal imagination is like being sucked down a rabbit hole full of joy.” ★★★★ Fest

“Stepping back outside, the world seems like a different place: a better one.” ★★★★ The Scotsman

“This is one of the strangest hours I have ever passed. However, it is also one of the funniest and most heart-wrenching.” ★★★★ Broadway Baby

“Jamie Wood’s O No! Is a slice of sweet absurdity that made me smile from beginning to end” Lyn Gardner’s Top Theatre Picks (Fri 14 Aug)

“Perfect as an oasis in the midst of a hectic festival, and a genuinely different experience.” Total Theatre